{"id":2144,"date":"2018-04-30T09:46:27","date_gmt":"2018-04-30T09:46:27","guid":{"rendered":"http:\/\/bard.mikado-themes.com\/?page_id=2144"},"modified":"2023-01-31T21:38:18","modified_gmt":"2023-01-31T21:38:18","slug":"about-me","status":"publish","type":"page","link":"https:\/\/christiannestotijn.com\/index.php\/about-me\/","title":{"rendered":"About me"},"content":{"rendered":"<p>[vc_row row_content_width=&#8221;grid&#8221; parallax_background_image=&#8221;5965&#8243; parallax_bg_speed=&#8221;0.5&#8243;][vc_column offset=&#8221;vc_hidden-md vc_hidden-sm vc_hidden-xs&#8221;]<div class=\"mkdf-elements-holder    mkdf-one-column  mkdf-responsive-mode-768 \" ><div class=\"mkdf-eh-item    \"  data-item-class=\"mkdf-eh-custom-2569\" data-1366-1600=\"139px 57% 154px 0\" data-1024-1366=\"30px 56% 10px 0\" data-768-1024=\"91px 41% 114px 0\" data-680-768=\"93px 41% 114px 0\" data-680=\"17px 3% 34px 0\">\n\t<div class=\"mkdf-eh-item-inner\">\n\t\t<div class=\"mkdf-eh-item-content mkdf-eh-custom-2569\" style=\"padding: 147px 57% 164px 0\">\n\t\t\t<div class=\"mkdf-section-title-holder welcome mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;font-size: 20px;line-height: 30px;margin-top: 25px\">\n\t\t\t\tThe first song I ever heard was the voice of my mother. Her whole being is a song. And through her hands: Schumann - Scenes from Childhood. Having an alto timbre she collected Gramophone records of Kathleen Ferrier singing Brahms\u2019 Alto Rhapsody as well as Mahler\u2019s Ru\u0308ckert Lieder and Das Lied von der Erde.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder welcome mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;font-size: 20px;line-height: 30px;margin-top: 25px\">\n\t\t\t\tSinging for me has always been a Song of the Earth. Throughout many periods of my life this work of Gustav Mahler together with Schubert\u2019s Winterreise has always come back to meet me on my singing path.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder welcome mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;font-size: 20px;line-height: 30px;margin-top: 25px\">\n\t\t\t\tAnd every time it mirrors a different strength, quest, and emotion. Singing for me means an endless path of deep encounters in life.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder welcome mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;font-size: 20px;line-height: 30px;margin-top: 25px\">\n\t\t\t\tAn eternal searching for deepness and simplicity in the sound to be able to reach another's heart. And now I have been given the gift of sharing to others all what has been given to me; I feel the key to my inner search always lies in finding a true sound in oneself.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder welcome mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;font-size: 20px;line-height: 30px;margin-top: 25px\">\n\t\t\t\tSinging for me means being a mother myself. The most true music will always be the Song of the Earth for my child.\u201d\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=&#8221;100px&#8221;]<div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<h6 class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 20px\">\n\t\t\t\tMy biography\t\t\t<\/h6>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 25px\">\n\t\t\t\tThe Dutch mezzo-soprano Christianne Stotijn was born in Delft and studied violin and voice at the Conservatorium van Amsterdam. After obtaining her solo violin diploma she continued her vocal studies with Udo Reinemann, Jard van Nes and Dame Janet Baker. Over the years Christianne has won numerous awards, including the prestigious ECHO Rising Stars Award 2005\/2006, the Borletti-Buitoni Trust Award in 2005, and the Nederlands Muziekprijs in 2008. In 2007 she was selected as a BBC New Generation Artist.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 25px\">\n\t\t\t\tChristianne is a passionate interpreter of art songs. Accompanied by the pianists Joseph Breinl and Julius Drake, with whom she has a longstanding duo partnership, she has appeared in the world\u2019s leading concert venues. She regularly performs chamber music with musicians such as the violist Antoine Tamestit, her brother the double bassist Rick Stotijn and the Oxalys Ensemble.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tThe conductor Bernard Haitink has had a profound influence on Christianne\u2019s career. Under his direction she has performed with orchestras including the Royal Concertgebouw Orchestra, Boston Symphony Orchestra, Chicago Symphony Orchestra and London Symphony Orchestra.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tChristianne has also worked with world-class conductors such as Claudio Abbado, Ivan Fischer, Esa-Pekka Salonen, Yannick N\u00e9zet-S\u00e9guin, Andris Nelsons, Gustavo Dudamel, Vladimir Jurowksi and Jaap van Zweden, performing repertoire including: Alto Rhapsody by Brahms, Berlioz\u2019s La Mort de Cl\u00e9op\u00e2tre and Les Nuits d'\u00e9t\u00e9, Elgar\u2019s Sea Pictures, Britten\u2019s Phaedra, Mussorgsky's Songs and Dances of Death, Mahler's R\u00fcckert Lieder, Knaben Wunderhorn and Kindertotenlieder, the Neruda Songs by Peter Lieberson, F\u00fcnf neapolitanische Lieder by Hans Werner Henze, Wagner's Wesendonck Lieder and Sieben fr\u00fche Lieder by Alban Berg.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tShe has performed diverse world premi\u00e8res of contemporary works. For instance, Michel van der Aa jointly dedicated his song cycle Spaces of Blank to Christianne and the Royal Concertgebouw Orchestra in 2009. In 2013 she sang the world premi\u00e8re of Totentanz by Thomas Ad\u00e8s at the Proms in the Royal Albert Hall, London.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tChristianne also appears regularly on the operatic stage. She has sung the role of Pauline in Pique Dame at the Paris Opera, Isabella in L'Italiana in Algeri at the Festival d'Aix-en-Provence, Ottavia in Poppea at the Dutch National Opera, the Teatro Campoamor in Oviedo and the Teatro Arriaga in Bilbao. She sang Cornelia in Giulio Cesare at the Th\u00e9\u00e2tre de la Monnaie in Brussels and at the Dutch National Opera. Other major engagements have included the title role in Tamerlano at the Royal Opera House in Covent Garden and the role of Brang\u00e4ne in a concertante performance of Wagner\u2019s Tristan und Isolde. In 2014 she appeared as Marfa in Mussorgsky\u2019s La Khovanshchina at Oper Stuttgart. In 2019 she performed the role of Marguerite during a concertante performance of La Damnation de Faust with the National Taiwan Symphony Orchestra.`{`Einde van tekstterugloop`}`In 2020 she made her role-debut as Kundry in Wagner\u2019s Parsifal at the Op\u00e9ra du Rhin in Strasbourg.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tSince 2013 Christianne Stotijn is the artistic director of the Udo Reinemann International Masterclasses, based in Brussels.Since 2021 she teaches as Professor f\u00fcr Gesang an der Hochschule f\u00fcr Musik, W\u00fcrzburg.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tChristianne Stotijn\u2019s recordings are brought out by the Onyx label and Warner Classics. In 2010 her recording of Tchaikovsky songs received the BBC Music Magazine Award. For the MDG label Christianne recorded a work close to her heart: Die Weise von Liebe und Tod des Cornets Christoph Rilke by Frank Martin. This recording earned her the ECHO Award \u2018Liedeinspielung des Jahres 2008\u2019 Her Album \u2018If the Owl calls again\u201d received the Gramophone\u2019s editor\u2019s choice with the comment:\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\t\u201cEclectic and engaging throughout, this recital has a strong sense of personality- and personal choice-running throughout it \u201dHer most recent cd from 2020 with Thomas Ades\u2019 Totentanz recorded with the Boston Symphony Orchestra for the Deutschen Grammophon label won a Gramophone award.\nSeptember 2022\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=&#8221;52px&#8221;]<a itemprop=\"url\" href=\"https:\/\/christiannestotijn.com\/index.php\/about-me-nl\/\" target=\"_self\" style=\"color: #ffffff;text-transform: uppercase;margin: 0px 10px 0px 0px\" class=\"mkdf-btn mkdf-btn-medium mkdf-btn-outline mkdf-btn-custom-hover-bg mkdf-btn-custom-hover-color mkdf-btn-animation\" data-hover-color=\"#000000\" data-hover-bg-color=\"#ffffff\" >\n\t\t\t<span class=\"mkdf-btn-lines\">\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t<\/span>\n\t\t<span class=\"mkdf-btn-text\">Read in Dutch<\/span>\n    <\/a><a itemprop=\"url\" href=\"https:\/\/christiannestotijn.com\/index.php\/about-me-de\/\" target=\"_self\" style=\"color: #ffffff;text-transform: uppercase\" class=\"mkdf-btn mkdf-btn-medium mkdf-btn-outline mkdf-btn-custom-hover-bg mkdf-btn-custom-hover-color mkdf-btn-animation\" data-hover-color=\"#000000\" data-hover-bg-color=\"#ffffff\" >\n\t\t\t<span class=\"mkdf-btn-lines\">\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t<\/span>\n\t\t<span class=\"mkdf-btn-text\">Read in German<\/span>\n    <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row row_content_width=&#8221;grid&#8221;][vc_column offset=&#8221;vc_hidden-lg&#8221;]<div class=\"mkdf-elements-holder    mkdf-one-column  mkdf-responsive-mode-768 \" ><div class=\"mkdf-eh-item    \"  data-item-class=\"mkdf-eh-custom-3327\" data-1366-1600=\"139px 57% 154px 0\" data-1024-1366=\"30px 56% 10px 0\" data-768-1024=\"91px 41% 114px 0\" data-680-768=\"93px 41% 114px 0\" data-680=\"17px 3% 34px 0\">\n\t<div class=\"mkdf-eh-item-inner\">\n\t\t<div class=\"mkdf-eh-item-content mkdf-eh-custom-3327\" style=\"padding: 147px 57% 164px 0\">\n\t\t\t<div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t<h2 class=\"mkdf-st-title\" style=\"color: #ffffff\">\n\t\t\t\tAbout me\t\t\t<\/h2>\n\t\t\t\t\t\t\t<h6 class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 20px\">\n\t\t\t\tArtist\u2019 s biography\t\t\t<\/h6>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 25px\">\n\t\t\t\tThe Dutch mezzo-soprano Christianne Stotijn was born in Delft and studied violin and voice at the Conservatorium van Amsterdam. After obtaining her solo violin diploma she continued her vocal studies with Udo Reinemann, Jard van Nes and Dame Janet Baker. Over the years Christianne has won numerous awards, including the prestigious ECHO Rising Stars Award 2005\/2006, the Borletti-Buitoni Trust Award in 2005, and the Nederlands Muziekprijs in 2008. In 2007 she was selected as a BBC New Generation Artist.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 25px\">\n\t\t\t\tChristianne is a passionate interpreter of art songs. Accompanied by the pianists Joseph Breinl and Julius Drake, with whom she has a longstanding duo partnership, she has appeared in the world\u2019s leading concert venues. She regularly performs chamber music with musicians such as the violist Antoine Tamestit, her brother the double bassist Rick Stotijn and the Oxalys Ensemble.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tThe conductor Bernard Haitink has had a profound influence on Christianne\u2019s career. Under his direction she has performed with orchestras including the Royal Concertgebouw Orchestra, Boston Symphony Orchestra, Chicago Symphony Orchestra and London Symphony Orchestra.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tChristianne has also worked with world-class conductors such as Claudio Abbado, Ivan Fischer, Esa-Pekka Salonen, Yannick N\u00e9zet-S\u00e9guin, Andris Nelsons, Gustavo Dudamel, Vladimir Jurowksi and Jaap van Zweden, performing repertoire including: Alto Rhapsody by Brahms, Berlioz\u2019s La Mort de Cl\u00e9op\u00e2tre and Les Nuits d'\u00e9t\u00e9, Elgar\u2019s Sea Pictures, Britten\u2019s Phaedra, Mussorgsky's Songs and Dances of Death, Mahler's R\u00fcckert Lieder, Knaben Wunderhorn and Kindertotenlieder, the Neruda Songs by Peter Lieberson, F\u00fcnf neapolitanische Lieder by Hans Werner Henze, Wagner's Wesendonck Lieder and Sieben fr\u00fche Lieder by Alban Berg.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tShe has performed diverse world premi\u00e8res of contemporary works. For instance, Michel van der Aa jointly dedicated his song cycle Spaces of Blank to Christianne and the Royal Concertgebouw Orchestra in 2009. In 2013 she sang the world premi\u00e8re of Totentanz by Thomas Ad\u00e8s at the Proms in the Royal Albert Hall, London.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tChristianne also appears regularly on the operatic stage. She has sung the role of Pauline in Pique Dame at the Paris Opera, Isabella in L'Italiana in Algeri at the Festival d'Aix-en-Provence, Ottavia in Poppea at the Dutch National Opera, the Teatro Campoamor in Oviedo and the Teatro Arriaga in Bilbao. She sang Cornelia in Giulio Cesare at the Th\u00e9\u00e2tre de la Monnaie in Brussels and at the Dutch National Opera. Other major engagements have included the title role in Tamerlano at the Royal Opera House in Covent Garden and the role of Brang\u00e4ne in a concertante performance of Wagner\u2019s Tristan und Isolde. In 2014 she appeared as Marfa in Mussorgsky\u2019s La Khovanshchina at Oper Stuttgart. In 2019 she performed the role of Marguerite during a concertante performance of La Damnation de Faust with the National Taiwan Symphony Orchestra.`{`Einde van tekstterugloop`}`In 2020 she made her role-debut as Kundry in Wagner\u2019s Parsifal at the Op\u00e9ra du Rhin in Strasbourg.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tSince 2013 Christianne Stotijn is the artistic director of the Udo Reinemann International Masterclasses, based in Brussels.Since 2021 she teaches as Professor f\u00fcr Gesang an der Hochschule f\u00fcr Musik, W\u00fcrzburg.\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\tChristianne Stotijn\u2019s recordings are brought out by the Onyx label and Warner Classics. In 2010 her recording of Tchaikovsky songs received the BBC Music Magazine Award. For the MDG label Christianne recorded a work close to her heart: Die Weise von Liebe und Tod des Cornets Christoph Rilke by Frank Martin. This recording earned her the ECHO Award \u2018Liedeinspielung des Jahres 2008\u2019 Her Album \u2018If the Owl calls again\u201d received the Gramophone\u2019s editor\u2019s choice with the comment:\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div><div class=\"mkdf-section-title-holder  mkdf-st-standard mkdf-st-title-left mkdf-st-normal-space \" >\n\t<div class=\"mkdf-st-inner\">\n\t\t\t\t\t\t\t<p class=\"mkdf-st-text\" style=\"color: #ffffff;margin-top: 26px\">\n\t\t\t\t\u201cEclectic and engaging throughout, this recital has a strong sense of personality- and personal choice-running throughout it \u201dHer most recent cd from 2020 with Thomas Ades\u2019 Totentanz recorded with the Boston Symphony Orchestra for the Deutschen Grammophon label won a Gramophone award.\nSeptember 2022\t\t\t<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=&#8221;52px&#8221;]<a itemprop=\"url\" href=\"#\" target=\"_self\" style=\"color: #ffffff;text-transform: uppercase;margin: 0px 10px 0px 0px\" class=\"mkdf-btn mkdf-btn-medium mkdf-btn-outline mkdf-btn-custom-hover-bg mkdf-btn-custom-hover-color mkdf-btn-animation\" data-hover-color=\"#000000\" data-hover-bg-color=\"#ffffff\" >\n\t\t\t<span class=\"mkdf-btn-lines\">\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t<\/span>\n\t\t<span class=\"mkdf-btn-text\">Read in Dutch<\/span>\n    <\/a><a itemprop=\"url\" href=\"#\" target=\"_self\" style=\"color: #ffffff;text-transform: uppercase\" class=\"mkdf-btn mkdf-btn-medium mkdf-btn-outline mkdf-btn-custom-hover-bg mkdf-btn-custom-hover-color mkdf-btn-animation\" data-hover-color=\"#000000\" data-hover-bg-color=\"#ffffff\" >\n\t\t\t<span class=\"mkdf-btn-lines\">\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t\t<span class=\"mkdf-btn-line\" style=\"border-color: #ffffff;stroke: #ffffff\"><\/span>\n\t\t<\/span>\n\t\t<span class=\"mkdf-btn-text\">Read in German<\/span>\n    <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_content_width=&#8221;grid&#8221; parallax_background_image=&#8221;5965&#8243; parallax_bg_speed=&#8221;0.5&#8243;][vc_column offset=&#8221;vc_hidden-md vc_hidden-sm vc_hidden-xs&#8221;][\/vc_column][\/vc_row][vc_row row_content_width=&#8221;grid&#8221;][vc_column offset=&#8221;vc_hidden-lg&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-2144","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/pages\/2144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/comments?post=2144"}],"version-history":[{"count":59,"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/pages\/2144\/revisions"}],"predecessor-version":[{"id":6433,"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/pages\/2144\/revisions\/6433"}],"wp:attachment":[{"href":"https:\/\/christiannestotijn.com\/index.php\/wp-json\/wp\/v2\/media?parent=2144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}